| Hampton Style - October 19, 2007 |
ten questions for
HAMPTONS FILM FESTIVAL PROGRAMMERS
David Nugent and Josh Koury
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Reel Men
David Nugent (left) and Josh Koury (right).
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Where did you fellows come from to head up the film festival?
David Nugent: I'm also the director of programming for the Newport International Film Festival. I just came from finishing up that festival in June.
Josh Koury: I've been with the Hamptons International Film Festival for four years.
Is there any competition between the Newport and Hamptons Film festivals?
JK: There's a bit of competition, but generally speaking, there is enough independent and studio work to go around.
DN: There's only been a little overlap. There are one or two shorts that will be in both festivals, and both are showing the documentary Taxi to the Dark Side, from the director of Enron: The Smartest Guys in the Room (Alex Gibney).
What's the most number of movies you've seen in one day?
JK: Like the whole movie?
DN: I've seen five a day at festivals.
How many movies are submitted versus how many are selected?
JK: About 2000 movies are submitted and 120 picked. Only about 40 of them will be looking for distribution.
DN: We just heard that one of our films, My Sexiest Year, with Harvey Keitel and Karolina Kurkova, sold to a distributor. We'll have the world premiere.
What could someone send you to ensure his film was accepted into the festival?
JK: When people are creative with their press kits, I always appreciate it, but at the end of the day, if a film's good it's good.
Have you ever made a movie?
JK: I was a filmmaker before I was a programmer. I took it on the festival circuit, had a great time, then I started my own film festival, the Brooklyn Underground Film Festival. I'm directing and editing a new movie now. It's called We are Wizards, and it's about Harry Potter fans.
DN: I made movies as an undergraduate, but I teach film history with the rest of my time at The New School.
Do you come out to the Hamptons during the summer?
DN: Just for board meetings.
JK: We're usually in and out. I haven't been to the beach once this year. I think I walked by it; it's hard to find time.
What movie did you see outside of the festival that you really liked this year?
DN: There comes a point where I don't get to see a whole lot of movies that aren't for the festival. I saw The Simpsons Movie, The Bourne Supremacy, and Live Free or Die Hard. In terms of festival movies, I absolutely love The Diving Bell and the Butterfly.
JK: I haven't seen a non-festival movie in ages. I think I saw Spider-Man 3.
What's a movie you guys did not agree on?
JK: We're not allowed to tell you! Seriously, though, I feel really good about everything in the festival. Sometimes I might not be in love with a film but I know our audiences will be. What's really important is figuring out what works in the program, even if it's not my cup of tea.
DN: Josh focuses on the competition films very heavily and I focus on the spotlight films.
When you program a festival, how important is it that the films complement each other?
JK: It's really important. When you watch a group of short films, one film totally influences the way you watch the next.
DN: It's analogous to being a museum curator. First you pick the paintings, then you figure out how you want to place them.
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