| Issue #44, February 9, 2007 |
Dan’s Cartoons at the Ferregut Tower Gallery

by Emily J. Weitz
For the past forty-six years, Dan
Rattiner’s words have pervaded the press. He has rattled off
his inner monologue, capturing the ever-changing life on the East
End with utter amusement. This is the man we know. As someone who
has sat across a round table from him countless times, watching
him sculpt stories out of rumors and shape campaigns out of forgotten
causes, I know him as a man of words. But when the Ferregut Tower
Gallery took notice of his cartoons, I had to do a double take.
His easeful scrawls capture the same controlled amusement that his
stories portray and they, too, have traced the development of the
culture on the East End.
For the first time, Dan’s visual
creativity is taking center stage. But when I probed Dan to find
out where his drawings originated, I was surprised. I thought surely
they came as an accompaniment to his written work. I knew that in
the early years of the newspaper, he did most of the illustrations
himself. But he confessed that his sketches were actually his outlet
for expression before words became his release. He started drawing
in high school, when he was bored in class. He would look tentatively
at the teacher and scribble his real thoughts in cartoon form. He
liked cartoons because they were funny and he liked showing his
work to friends to make them laugh. In fact, when he started his
humble newspaper out in Montauk, it was not without the knowledge
that he would have a forum for his cartoons.
When I asked Dan what inspired him
in his early years, he told me that his ideas usually came from
something that made him think, “that’s funny.”
He told me a tale of a car that could be taken out into the water
and would become a boat. It looked like a car, but if you pushed
a few gears, it would cruise right across the lake. To Dan, that
contraption was just waiting to be drawn. It’s interesting,
as a writer who works for Dan, to see that sometimes his brain works
beyond words in a purely visual way. For Dan, there are moments
that can only be captured with the quick, knowing motion of a simple
sketch. In response to this weird car/boat contraption, Dan drew
a cartoon of a single engine airplane flying over a patch of farmland.
The caption simply reads, “So now I press this button and
it becomes a car?”
Let’s hope so.
I was fixated on the fact that Dan,
the successful writer and publisher, was coming out with an art
exhibit.
“I don’t understand,”
I confessed. “Do you feel you are able to express yourself
through these cartoons as fully as you are through the written word?”
“No,” he said simply.
“It’s a very different sort of thing. A cartoon is a
moment. To me, it’s a moment which is meant to be funny –
a comedic moment, and that’s all it is. If you can do it well,”
he continued, “there’s the beauty.”
I think I understand. After all,
we as humans are all looking for voices for our experience. Dan
has managed to capture the irony of this place and time, the mundane
sitting slumped beside the glamour, the natural beauty standing
proud beside the materialistic. He’s documented it with his
newspaper for forty-six years, as the community and the culture
at once changed and resisted change.
When the owner of the Ferregut Tower
Gallery called Dan to see if he would be interested in showcasing
his drawings, Dan was surprised and delighted. He has been lauded
for his newspaper, but little public attention has been paid to
the clever sketches that often accompany his stories. He is excited
that people are actually going to be able to see his drawings. Less
than half of the cartoons have ever been on view for the public,
though Dan admitted a few of them might have been checked out back
in 1966. He used to draw when he felt inspired by something amusing
and then keep the sketches in giant baskets. For the upcoming show,
he threw in some current pieces to accompany the ones from past
decades.
Dan said that twenty percent of the
pieces in the show were done in college when he was supposed to
be studying architecture or history and instead ended up doodling
things he thought were funny. He also doodled at concerts and one
of his favorite cartoons, “Sing,” depicts an opera singer
whose voice apparently couldn’t distract him from his sketchpad.
Dan has always loved cartoons. He
was inspired by the minimalist creations of such personalities as
Sempé, a French cartoonist, and Saul Steinberg, an artist
who spent a lot of time out here.
In its early years, Dan’s Papers
was only published in the summer, so Dan had the winters to himself.
One winter, he decided to move into the city and try to make it
as a cartoonist. He sold a few cartoons that year, though he didn’t
like that carting a museum case of drawings to different agencies
and magazines made him feel like more of a salesman than an artist.
Still, it was invigorating when he realized that he actually had
four cartoon pieces published at one time – Esquire, Saturday
Review of Literature, The Realist, and McLeans were all running
Dan’s cartoons at the same time that year. At that point,
he felt satisfied enough to say that he had done it. Then he returned
to the Hamptons, where he was busily building a small empire.
Nevertheless, Dan’s career
as a cartoonist did not stop there. And here we are, four decades
later, where the East End has finally prepared a tribute to the
visual documentary that Dan has been keeping so vigilantly. The
upcoming show, titled “Ode to the East End,” will open
on February 8 and run until March 20. An opening reception for the
artist will take place on Sunday, February 18, from 5 to 7 p.m.
Eighty-seven of his drawings will depict his artistic interpretations
of the past forty years on the East End. With his swift pen, he
has captured the essence of farmers, movie stars, fishermen and
Wall Streeters. He has been inspired by beaches, McMansions, farms
and vineyards. And the same deep well that has summoned words from
his typewriter also, by chance, has brought forth images from his
pen.
The Ferregut Tower Gallery is
located at 3 South Main Street in Southampton. The hours are Friday
through Sunday or by appointment. Please call 631-287-0798. Or visit
www.ferreguttowergallery.com.
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