Dan's Papers -November 27, 2009

This column does not purposely promote commercialism in art. Until possibly now, that is, considering that Christmas is coming and there's quality art available at affordable prices despite the economic crisis. Even so, this critic would have critiqued the following shows regardless of the season or financial situation. Simply put: the exhibits stand on their own merits.

Dan Rattiner's series of drawings and cartoons (1957-2009) at the Winter Tree Gallery in Sag Harbor is a delightful change from the conventional works usually found at galleries. That the pieces are indigenous to our area make them doubly delightful.

Rattiner has a penchant for tracking human and societal foibles. His ability to focus on the annoyances of daily life in the Hamptons, including crowded roads and airport skies, is likewise laudable. Yet Rattiner doesn't merely concentrate on our personal daily activities, as is proven in his observations concerning class structure (i.e. a bum in a telephone booth answering, "Speaking").

A group show at East Hampton's Surface Library is a delight as well. For a relatively small space, the gallery manages to expertly display a diverse range of work, highlighting different media, material, styles and aesthetics. At first glance, a particular highlight appears to be the presentation of glass/ceramics by Bob Bachler, Ted Tyler and Hokanson + Dix. Each work has a distinct shape, color and/or glaze-qualities that are hard to come by in today's marketplace.

As we look around, it seems as if other distinctive pieces come to light; everything on display is arresting in some way. Consider Pat Swyler's wall and earthenware figures, mostly Asian-inspired sculptures that are dainty and potent at the same time.

Such contradictory traits, in fact, characterize the show. The works may be small, but they are mighty in their techniques and use of materials; they are powerful yet whimsical in tone. That goes for each and every piece.

Let's consider other examples. Christa Maiwald's "Artist Charms" are equally strong and charming, featuring embroidered portraits of artist couples. What's special, besides Maiwald's craftsmanship, are the little touches, like Jackson Pollock's cigarette and de Kooning's curl on his forehead.

Teri Kennedy's abstract sculptures of found objects are contradictory as well, featuring charming shapes combined with sturdy items, including wood and wire. Gabriele Raacke's archival ink prints on watercolor paper are similarly fanciful, featuring shoe-like forms that resemble animals (and that also recall Andy Warhol's footwear). This whimsical animal theme is continued with pieces by Trish Franey.

While we can't describe James Kennedy's paintings as "dainty" or "charming," his "Moodscapes" are endearing without being "cute." His evocation of particular states of mind or material is precious, to say the least. They are images we can't forget in a hurry.

Rattiner's drawings will be on view at the Winter Tree Gallery until Jan. 7, 2010. Call 631-725-0097.

"The Gift of Art" will be at the Surface Gallery until Dec. 20. Call 631- 291-9061.