| Issue #17 - July 17, 2009 |
Honoring the Artist: Daniel Pollera By Marion Wolberg Weiss
The last time we spoke with cover artist Daniel Pollera, we got "up close and personal" as he shared aspects of his life with us - memories of his growing up, deeply-held values, beliefs and attitudes. In this conversation, Pollera talks about his professional life: his artistic process, development and goals.
Q: How does an artist grow and develop, at least according to your own perceptions?
A: A teacher once told me, "Paint. Just paint." There really aren't any shortcuts to growing as an artist. Process develops over time. The more you do, the better. Growth is also a matter of instinct, meaning that creating comes from within.
Q: Obviously, there are a lot of things that account for artistic development. Of all the aspects you mentioned, name one important element that accounts for your growth.
A: As long as you're inspired, that gives you energy to grow.
Q: Working in oils has inspired you lately. How has oils helped you grow?
A: The medium is more dramatic. My work looks more mature; through the brush strokes, you can see more of my personality, see more of my technical skills.
Q: You have mentioned that your style has also changed.
A: It's leading more to Impressionism; it's not as rigid. For example, I like the art of Childe Hassem.
Q: You work has always created a mood and a sense of place. That's part of Impressionism even though your style is realistic.
A: Yes, my painting has always been emotional.
Q: How about the importance of setting/place?
A: If I go to a place, and it inspires me, I'll go with it. I must feel the mood.
Q: Is there another element that accounts for your growth?
A: Trying something different, like oil painting.
Q: How do you create an image? Is the image often original or not?
A: I sometimes use photographs as references. Sometimes I make images out of my head. I am now looking at a painting that's 40% done, and it's completely made up. Painting is problem solving. You have to figure it out: the colors, composition, how it all works together.
Q: I agree. Art is problem solving like math, but the final product doesn't have one right answer - one plus one doesn't have to equal two in art.
A: Yes, when I'm doing a painting I never know how it will work out. I'll say, "This looks good with that; maybe it should be a little darker, a little more green.
Q: You have compared this process to cooking.
A: Yes, like in cooking, you add a little garlic, pepper, wine, to a dish. But in art, if you don't have a solid foundation, a good drawing, a good compositional structure, it won't work out.
Q: Bon Appetite, Danny. Sorry, this isn't a question.
Mr. Pollera's work can be seen at Chrysalis Gallery in Southampton.
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